"Blu-ray or Bust"
STRAIGHT OUTTA COMPTON (2015, R/UNRATED, 147/167 minutes, UNIVERSAL/LEGENDARY PICTURES)
I would like to be able to say that “gangsta rap” made me who I am today.
Unfortunately, no amount of gangsta rap can turn someone into a white,
slightly over-weight, single dad with mental issues and a room at his
mommy’s house. No, I blame all that on a lack of gangsta rap, quite
honestly (and, well... GENETICS).
You see, when N.W.A.’s
“Straight Outta Compton” dropped in record stores nationwide in August
of 1988, I was preparing for my second year of college. I was listening
to Prince, The Beastie Boys, and The Rolling Stones on my Walkman. The
closest I got to controversial music that year was trying to memorize
the lyrics to 2 Live Crew’s “Do Wah Diddy Diddy”. Thank the Sweet Baby
Hey-Zeus for MTV.
Although, even with MTV, I was rather ensconced
on the East Coast side of life. At that time, rap music seemed almost
more of a novelty than an art. Seriously; “The Fat Boys”? You expect me
to take a trio of fat guys seriously?!? Not to re-mention 2 Live Crew,
which was essentially dirty porno music with a singular purpose: to
shock. That singular purpose for a product can be attributed to most
anything in life. Like Frito Lay’s Bean Dip. It’s just a can of beans, a
single layer dip with one sole reason for being: to make Frito’s Scoops
even tastier.
Such was rap music (for me, at least) at the time.
And then comes a group of bad mother effers talking about police
brutality and the brutality of the streets, and all I want to do is ride
my ten speed bike to work and to the mall and not have to worry about
drive-by shootings or gangsta’s or why all of the rappers keep calling
each other the fricking N-word.
Obviously, instead of being
straight out of Compton, I was, way back in 1988, straight outta Palm
Harbor. Ruthlessly pleasant Palm Harbor. The exact polar opposite of
Compton, CA.
So, no, N.W.A.’s first studio album did not have much
effect on me. I almost wish it had. Ultimately, the album is not just an
exercise in free speech so much as it is an exercise in freedom.
Freedom to be yourself, freedom to express what influence the current
cultural environment can have on a young man and his family and friends.
It has a sh*t-ton of curse words in it, but if you take a moment to
actually read some of the lyrics, you’ll see how eloquently much of it
is written. These men were poets, they were artists, and theirs was a
voice unheard by much of the world.
Hopefully the release of
STRAIGHT OUTTA COMPTON, the biopic of the life and death of absolutely
the most influential rap group to ever exist, will cause a resurgence in
album sales. The film is not great (the flaws are minor, although
director F. Gary Gray spends too much time on Eric “Easy E” Wright,
which causes some missteps in the flow of the story), but it is damn
good. And it is important to watch every single special feature
included; it is the only way to get the full impact of what these
artists created. That, and you get to see the pressure the actors
playing the parts put themselves through in order to actually be able to
perform as the group.
Buy it on Blu-ray. The music kind of
demands it. As does the performance of Paul Giamatti as a skeezy
manager. And then there is one O’Shea Jackson Jr, who happens to capture
his father’s (Ice Cube) presence, mannerisms, and lyrical ability with
spooky and uncanny accuracy.
So while I may be perpetrating a
stereotype by saying that I will be purchasing the soundtrack to this
film, I would like it to be known that I will also be RE-purchasing that
most seminal of albums “Straight Outta Compton” as well. Due to the
influence of my own cultural environment, I may have never been able to
appreciate the honesty of N.W.A.’s lyrics, but I can at least respect
how they approached their art, and turned rap music into actual music
and not just a singular novelty.
Besides, I can use it as my life soundtrack right now. ‘Cause pimpin’ ain’t easy, kids; pimpin’ ain’t easy.
Grade: B
Special Features: A
Blu-ray Necessary: Most definitely
-- T.S. Kummelman
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