‘Blu-ray or Bust’
DEADPOOL 2(2018, R/UR,
119/134 minutes, MARVEL STUDIOS/20th CENTURY FOX)
When I reviewed the theatrical version of this film, I was a wee bit
disappointed.
You see, I wanted something as snarky and comical and spontaneous as the
first film was. I wanted more of that
sarcasm, more of the quick wit, more of the terribly inappropriate jokes and
extreme violence that made the original such a giddy dive into that animalistic
part of the human brain which craves bedlam and lunacy. What I got was something a tad darker,
something which, at times, felt more like a grounded superhero film—the same
types that DEADPOOL had such a marvelous time exploiting for its own perverse
pleasure. So, I gave it a “B+” in my
initial review, something I would stand by even today.
But oh, kids, what a difference fifteen minutes makes.
The premise of the film is that Wade “Deadpool” Wilson (the still hilarious
Ryan Reynolds) is enjoying a life of crimefighting via dismemberment when
tragedy strikes. He finds redemption (of
sorts) with young Russell, aka “Firefist” (Julian Dennison from THE HUNT FOR THE
WILDERPEOPLE), who is at odds with his powers.
He wants to fireball the headmaster of the orphanage where he was
tortured for being a mutant. Enter Cable
(Josh Brolin, whose straight-guy delivery makes for some hilarious lines), who
is hell-bent on killing Russell for barbequing his family—in the future. Deadpool decides that the only way to stop
Cable from completing his mission is to form a team he dubs The X-Force, which
leads to…well, no spoilers here, as usual.
What I will say is that while a few alternate lines replace some of the
jokes from the theatrical version, the quality of the story has improved
immensely. There is more to the opening
montage of Deadpool’s violent and hilarious vigilantism, as well as longer
moments of character development which enhance the story of every
character. Basically, it is much more
coherent and funny film about family than the theatrical attempt, and is,
honestly, the definitive version of the film.
Although it is fun to watch both, just to compare. But the longer cut is the better of the
two. Of course, no matter which version
you watch, this release is essential on Blu-ray. From director David Leitch’s (JOHN WICK,
ATOMIC BLONDE) brilliant use of color (which adds to the comic-book feel of the
movie), to the unlikely soundtrack (when is the last time you heard Celine Dion
and Dolly Parton in an R-rated superhero film?), this all needs to be
experienced in the superior format.
Also, there is a veritable treasure trove of extras; the disc includes
several behind-the-scenes docs, one of the most fascinating being how they
managed security on the film, not to mention the Gag Reel, all of the
promotional ads—some of which I had not seen yet—and Josh Brolin listening to
dub step for the first time.
Next up in the Deadpool saga will be a film devoted to the X-Force. No release date has been set, but there is
plenty here to keep us busy until then.
Just stick to the better version, and you’ll be fine.
Film Grade: B+ for the R-rated version, A for the Super Duper Cut
Special Features: A
Blu-ray Necessary: Abso-freakin’-lutely
- T.S. Kummelman
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