“Trapped by Circumstance: The Violent
Stories You Might Be Missing on NETFLIX”
NETFLIX:
THE PUNISHER
(2017, TV-MA, 54 minutes each, ABC STUDIOS / DISNEY-ABC DOMESTIC TELEVISION
/ MARVEL ENTERTAINMENT)
What do you ask for in a comic book-based series? I know the diehards keep a list and will be
sure to rip apart a series if it deviates in the slightest. I find that counterintuitive when wanting to
enjoy a good story. Sure, it’s awesome
to have something that keeps true to a particular storyline or a much-loved character
but that ‘flavor’ is not so easy to translate to the large or small screen. I find if you keep to the core tenants of a
character and the plot, you can’t go wrong… even if some concessions are made
to make a better story. THE PUNISHER,
with Jon Bernthal as the angriest man on Netflix, seems with its attention to
detail, likeable characters, and intense drama can’t do no wrong… even if violence
is the only core tenant. I didn’t like Bernthal
in ‘The Walking Dead’. Something just
rubbed me wrong with his acting, I didn’t feel an earnest effort or even the
skill capable of something bigger for him to pursue. And when I first heard his coming to
DAREDEVIL, I questioned whether he actually could carry the role? And now, him as the Punisher, it’s hard to
believe anyone else in this role. This is by far my favorite of the Marvel
programing launched by Netflix.
WHEELMAN
(2017, TV-MA, 82 minutes, SOLUTION ENTERTAINMENT GROUP / WARPARTY FILMS)
WHEELMAN is a small-budget affair that stars Frank Grillo (CAPTAIN AMERICA’s
– ‘Crossbones’ and of the PURGE series), a man who wants to cut ties with his criminal
connections. On what he claims is his
final job (they always say that), he finds himself double-crossed when acting
as the wheelman for a bank job. He must maneuver
his way through the lies and the streets to find out who is behind the
treachery, and save his family from mob reprisal. Although a simple film filled with familiar
plot devices, the ride is very entertaining and the action is brutal. I would almost say that Frank has the some of
the same grit that Bernthal shows in PUNISHER, making these an extension of any
‘punishment’ bingeing.
FATE/APOCRYPHA
(2017, TV-MA, Season 1 - 12 episodes approx. 24 minutes each, A-1 PICTURES)
For a change of pace, this one was added to the list. The FATE series is always in question when
the ‘truest’ critic decides to spew their thoughts about the anime, just like THE
PUNISHER and all other unique universes that are adapted to another media. APOCRYPHA offers a debut season that shakes up
the norm, and will make them darn ‘truest’ squirm. If you haven’t started watching this series,
you should. You will not need it to have
seen the previous series as this one is set in an alternate universe, but
having seen them kinda helps. Those that
have, the race is on again for the Holy Grail in the Grail War. What is different with this one? The big difference, how about two sets of servants,
each working for opposing factions. How
about servants who pretty much run amuck on their masters. How about new servants that keep you
wondering if they are more a villain than a hero. Although a familiar feel to the FATE storylines,
this one gives you something more to be excited about.
THE VEIL (O MATADOR)
(2017, TV-MA, 93 minutes, BRENT RYAN GREEN FILMS / NATIVE WARRIOR /
TOY GUN FILMS)
This is a Syfy style guilty pleasure film.
As with Raz’s MAN WITH THE IRON FIST, I could only think that this
script and worldbuild was written by a teenager who thirsted to make something
original but lacks the deeper writing skills to put it to paper and have it
make sense. You see, there is nothing
wrong with the film as a cultish / Mystery Science Theater 300 target, but
there is nothing “write” about the dialogue, acting, or its aggrandizing plot. The
story is about a warrior of one faction who learns his father’s tales of an alternate
world are true, and he will become its savior.
If you want to kill some time and not think too hard, this is your pick.
SLASHER
(2017, NR, Season 2 - 10 episodes approx. 54 minutes each, CHILLER FILMS /
SHAFTESBURY films /super channel)
SLASHER is a great concept that follows the well-known ‘American Horror
Story’ model. Each season has a new cast
and tells a new story about a slasher reigning blood on the ‘poor innocents’ within
reach. This one is set at a children’s camp
during the wintertime. A group of past camp
councilors return because they need to move the body of a fellow councilor they
murdered. How joyous an occasion to
bring friends together. They find the
camp is now the home of some tree-hugging, self-aware goody-goodies. Like the first season, everyone seems to have
their dark secrets and you keep guessing who is behind all the killings. The gore is intense and the typical ‘slasher
movie’ rules are thrown out. Even the
person or people you think most likely to survive to some extent are not safe. Although not a great project, creator Adam
Martin has something here you want more of.
-- James S. Austin
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