'Blu-ray or Bust'
THE BROTHERS GRIMSBY (2016, R, 83 minutes, COLUMBIA
PICTURES/BIG TALK PRODUCTIONS)
Watch this movie. I’m telling you this right off the bat,
because many people do not care for Sasha Baron Cohen all that much, despite
the range of his talent. So, go watch this film.
Unless you have a fear of being raped by an elephant—then,
by all means, steer clear of THE BROTHERS GRIMSBY.
Most people associate Cohen with BORAT, or, even worse,
BRUNO. But you have to watch for his smaller roles to truly understand the
talent this man exudes. From the Station Inspector in Steven Spielberg’s HUGO,
to Thénardier in LES MISERABLES, he seems to shine best when his screen time is
limited. Until now.
GRIMSBY is, quite possibly, the grossest, foulest, and funniest
comedy of the last several years. Seriously. The smartly written (co-written by
Cohen, of course) film combines gross-out humor and witty banter like none
other, all the while serving it up with a heavy dose of action and a giant
smirky-nod to every serious spy movie ever made. Cohen plays 'Nobbie', a poor
English family man who loves his family almost as much as he loves soccer. His
estranged brother Sebastian, whom Nobbie has searched for for years, turns
up—and turns out to work for the British government. As Sebastian, Mark Strong
is smart, violent, and efficient at his job. His long lost brother Nobbie is a
complete dumbass.
Suddenly finding themselves on the run together sets up this
odd couple pairing for a wild, and sometimes seriously gross, departure from
the spy genre. It does so in a gleeful majesty that borders on spontaneous
insanity. While predictable at times, it also manages to be genuinely funny at
others. Just when you think a joke is over (see: ELEPHANT), director Louis
Leterrier (THE TRANSPORTER, NOW YOU SEE ME) pushes you way past the breaking
point. Ridiculousness turns into hilarity, and over-the-top leaves you wanting
even more.
Keep in mind, this is Sasha Baron Cohen—at times, it is
bound to get weird. But it is the reactions of those around him which illicit
the biggest laughs. Strong is superbly cast as his brother, playing the
straight man to Cohen’s idiotic brilliance. His reputation in British cinema is
spotless (don’t see: ELEPHANT SCENE), and here he is given the opportunity to
reflect the audience’s own looks of wide-eyed befuddlement of whatever
situation Nobbie has suddenly thrust (honestly, freaking ELEPHANT) them into.
The special features are almost as funny as the film itself.
To see the work that everyone, and most especially Leterrier, put into this
gooey mess is a wonder to behold. And you get the feeling that the deleted
scenes had to go not due to time, but because it was the only way to get the
film past the ratings board. I’m honestly surprised at the fact that this one
walked away with the rating it did, considering the effort of, well…ELEPHANT.
The movie is not just a comedy—it is also an action film, so
you kind of need this one on Blu-ray. Between Leterrier’s camera work, the
soundtrack, and the set-pieces (I could honestly put another pachyderm
reference here, but, really, what’s the point anymore?) demand the clarity of
the format.
Hopefully, Cohen is done with the baser elements of his
comedy—he tends to stick with a character for a while, and although Nobbie is
fun, it is more entertaining to see him interacting with actors of a more
serious nature. This film should usher in a new phase of his place in the world
of cinema (he says, with a half grin, thinking ELEPHANT the entire time…)
Grade: B+
Special Features: A
Blu-ray Necessary: Most Definitely
-- T.S. Kummelman
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