Thursday, November 5, 2015

The 'Not-So-Critical' Critic: PAN





The 'Not-So-Critical' Critic: 
on PAN (2015, 111 minutes, PG)

The Quick of It -
Well, I bit the bullet on this choice and made it this week's viewing.  I was not sure if this was going to be worth the time but it showed promise, and when you don't have a clear 'must see', you go with horror or the unusual.  In this case, I have to say I am angered with Disney's marketing plan.  The trailer and promos didn't quite portray who the true target audience was.  From now on, I will not trust them again on their live-action remakes (except for THE JUNGLE BOOK, that is on my 'must see' list).  This was clearly a kid's movie and should have been presented so.  The production value was decent but had troubles with some CGI elements.  It had the classic over-the-top dialogue for characters to build and highlight the drama, a typical writing style for the youngin's, but a turn-off for me and probably most adults.  The story is interesting but simple, and brings magic to the horrors of a war-torn world.  There are those who will completely enjoy the Neverland ride, I'm just too tall...

Grade: B-

Wednesday, November 4, 2015

"Blu-ray or Bust" - JURASSIC WORLD




"Blu-ray or Bust"
JURASSIC WORLD (2015, PG-13, 124 minutes, AMBLIN ENTERTAINMENT/LEGENDARY PICTURES)

When I first saw this film, I was in a very crowded theatre, sitting next to Andre the Giant’s bigger brother.  Well no, I don’t know that for sure, but I hate basketball, and I can’t think of any other super tall dudes for a comparable behemoth.

When I originally reviewed this one, I mentioned that it had the power to (mostly) suck me out of my social anxiety disorder long enough to enjoy the film.  Now, in the privacy of my own home (okay, it’s really the front bedroom of my mommy’s house, but I’m a single parent, so bite me), I have the opportunity to pick this summer popcorn flick to pieces, like a less educated and less eloquent Roger Ebert.  A Roger Ebert that was high on methamphetamines and Cherry Coke.  Yeah, that sounds about right.

I was totally prepared to just lay into this sucker the second time around… however… dang my low expectation monitor, I LIKED IT EVEN BETTER THE SECOND TIME AROUND.


If you have seen any of the prior films, or saw the trailers for this one, you already know what it is about: kids go to park with real living dinosaurs, the biggest one breaks loose and starts eating people, chaos ensues.  Only this time around, there is a bit more humor, and a bit more attention on the characters themselves.  The biggest charm of JURASSIC PARK was its grounded feel; the characters you saw on-screen seemed like normal people.  That changed some with the next two films, both of which seemed more intent on upping the dinosaur factor and trying to out-do the last.

Have no fear: there is one big, new, badass dino on the loose.  And the special effects here are done convincingly enough.  But it is the almost loving development of every character, and the perfect casting, which steals the show.  Even though sometimes the detail of the sets is more distracting than the dinosaurs are… which gives us a nice segue into the bonus features…

…the first of which is star Chris Pratt (Star Lord) and director Colin Trevorrow “interviewing” each other—pretty cheesy, but Universal more than makes up for it with the second feature, a half-hour “show” that takes you behind the scenes and offers segments on almost every step of the process involved in making this humongous film.  By including interviews with the cast and Steven Spielberg himself, we are treated to certain aspects of filmmaking you don’t normally get to see.  Like what it is like to work with a thousand screaming extras, and how big some of those sets really were.  The studio has done rather well with the special features lately, and here the information is detailed and well worth the watch.


The next Jurassic film is due in less than three years.  The most hopeful thing about the sequel?  Not only will Pratt and Bryce Dallas Howard be reprising their roles, but Trevorrow and writer Derek Connolly will be back as well.  For the sake of entertainment and a dang good time, let’s hope they keep the momentum going.
           
Grade: A
Special Features: A
Blu-ray Necessary: Uh, let’s think about this for a minute… IT’S FRICKING DINOSAURS, OF COURSE IT IS NECESSARY.

-- T.S. Kummelman

Thursday, October 29, 2015

The 'Not-So-Critical' Critic: THE LAST WITCH HUNTER





The 'Not-So-Critical' Critic:  
on THE LAST WITCH HUNTER (2015, 106 minutes, PG-13)

The Quick of It -
Vin Diesel is a gamer, and he has proved it here.  THE LAST WITCH HUNTER is at its core an adventure of epic proportions.  Because of that, we all know critics will hate on this film to the end of their days, and he still went through with the project.  It is true, this is a flavor film, so a limited audience will appreciate the time and detail that was put into this story.  The imagery and pageantry of the 'witch world' made this a great watch for me.  Director Breck Eisner (of THE CRAZIES and SAHARA) should be credited with making a heavily CGIed film that doesn't stumble with its human interaction.  The only problems I found (other than being marketable to a small audience) were spots of bad dialogue and being a commonly used plot thread.  The film was reminiscent of CONSTANTINE with Keanu Reeves.  So, if you liked that one, this will be a must see and screw the critics... oh, wait...

Grade: B+


Wednesday, October 28, 2015

The 'Not-So-Critical' Critic: THE GIFT







The 'Not-So-Critical' Critic: 

on THE GIFT (2015, 108 minutes, R)

The Quick of It -
This little thriller will make you think twice when being... ahem... inconsiderate of someone's feelings.  A young married couple becomes the target of revenge by an old school acquaintance of the husband's.  I believe this movie will attract all the Jason Bateman haters out there.  I, for one, am not but it makes me think of all the ones who have expressed their opinions on his acting skills over the years.  He plays a real *** **** and is served a very cold dish.  The central plot is a great warning of what could happen to a bully who went too far.  The tension is real as you see the story unfold, keeping you on the edge of your seat until the final reveal.  THE GIFT fits well in this themed genre and carries a sense 'this could happen to you', because we "know" people like that.

Grade: B-

Thursday, October 22, 2015

The 'Not-So-Critical' Critic: CRIMSON PEAK



The 'Not-So-Critical' Critic: 
on CRIMSON PEAK (2015, 119 minutes, R)


The Quick of It -
When Guillermo del Toro has a vision, embrace what is to come.  I don't say that to mean you should have high expectations, more that he will treat you to something that you would not expect nor have experienced without his bizarre imagination.  I believe one of the proper ways to describe this film is like a scene used in the movie; when Tom Hiddleston's character, Thomas Sharpe, shows his American audience at a social gathering how to waltz the British way - fast and deliberate while having the finesse in movement to not snuff out the candle being held by the dance partners.  CRIMSON PEAK follows the same formula.  It holds no real surprises as the story is told.  Even when the information given seems vague, there are no great leaps to guess what is transpiring.  This is quite apparent since it starts out by stating 'ghosts are real' and continues along this course until the final scene.  What sells this film is the intricate storytelling, the striking costume design, and the elegant and elaborate settings.  Mr. del Toro, please continue to twist our reality.

Grade: B+

Wednesday, October 21, 2015

The 'Not-So-Critical' Critic: THE GALLOWS



The 'Not-So-Critical' Critic: 
on THE GALLOWS (2015, 81 minutes, R)


The Quick of It -
This movie represents both an achievement for newbie filmmakers while a cautionary tale of lost chances to create a dark film that pushes the envelope.  THE GALLOWS is about a high school drama club performing a play titled 'The Gallows' 20 years after the original performance, which was disrupted with a tragic death ... of course.  Warning for some, this is a 'found footage' film.  I know how some people immediately write-off this style of storytelling.  The writer / director pairing of noobs Travis Cluff and Chris Lofing wants to create a new slasher-type in 'Charlie' and includes the elements to build on the mythos.  The film has its moments and shows glimpses of horror 'magic'.  But, in the end, this one will sit among the many titles that are good for one watch. 

Grade: C-

Thursday, October 15, 2015

The 'Not-So-Critical' Critic: SICARIO



The 'Not-So-Critical' Critic: 
on SICARIO (2015, 121 minutes, R)

The Quick of It -
Director Denis Villeneuve just might be making some waves before his possible involvement in the upcoming BLADE RUNNER project.  SICARIO is an intense action-thriller centering on the 'War Against Drugs'... or sorta.  I would say more about the plot but I think it would be better to experience it for yourself.  The bigger surprise to me is the writer behind the project, Taylor Sheridan.  You might recognize, but doubtful, the name as the deputy chief from 'Sons of Anarchy', Deputy Chief David Hale.  Sheridan did have one hiccup that didn't making sense and probably should have been corrected to make the story more realistic, but hey... whatever.  His crafting of the story with an acute sense of plot building and Villeneuve's incorporation of visual tension through the use of intermittent shots showing motion within stillness, or the reverse, made this film work far beyond the typical 'drug raid' extravaganza.  Another nifty set of shots was the idea of individuals being introduced into the story as almost faceless apparitions, the concept that there are people out there like these representations but you only hear about them.  The muddled reflections in glass, the silhouette with back turned, or blocked angled shots to the speaker added to the continued theme of being in the dark on what exactly is happening to our FBI agent, Kate Macer (Emily Blunt), while holding on to this rollercoaster ride of bullets and blow.  Each character in the film, large and small, came to life with great acting, and a chance to show their talent within intense exchanges and awkward situations.  Josh Brolin may have been at the forefront but it was Benicio Del Toro who ends up stealing the show by the closing credits.  For a movie that falls into a flooded genre, it stands out as one of the must sees.

Grade: A-