The 'Not-So-Critical' Critic: AQUAMAN

The 'Not-So-Critical' Critic: 

on AQUAMAN (2018, 143 minutes, PG-13)

The Quick of It -

The DCU has struggled with its appeal to the mass population… so the critics say.  Most of this, I feel, is the result of critics writing pieces to get exposure (meaning – “click bait”) and the media to find cause to disrupt and churn the ‘pot of trolling’.

To put the DC bashing into perspective, Aquaman has crushed a few records while still feeling the heat.  I would believe the masses should take this cue that critics are blowing %$#@ into their wordy pieces to validate their existence.  And here I sit… 

The story follows Arthur’s, aka Aquaman (Mr. Momoa), origin and his first contact with Atlantis.  Jason Momoa, the man’s-man of the silver screen at the moment, locks this role down.  Unfortunately for Arthur, his regal duties are called upon to stop a war being instigated by his half-brother King Orm (Patrick Wilson of THE PHANTOM OF THE OPERA and INSIDIOUS fame).  Mera, played by Amber Heard (THE RUM DIARY and 3 DAYS TO KILL), and should mention Orm’s betrothed, seeks Arthur out to stop the war between land and sea. 

So, do the critics have some merit in their words?  To start with my issues, they are only just on the spectrum of caring.  Yes, some of the dialogue feels forced – wanting the characters to have soft moments in this action barrage.  The story has some moments that seem disjointed, not having a complete flow.  Running over two hours, I am sure the cutting room floor has those needed pieces.  But, as a complete product, Aquaman delivers exactly what you want.

Momoa brings this character to life with his wit, good looks, and full acceptance in this character.  Director James Wan (a horror phenom – SAW, INSIDIOUS, THE CONJURING) uses his storytelling skills with Momoa’s charisma to give this superhero film enough heart to stand on its own.  As proof, and you may have seen in the trailer, the scene in the aquarium totally sells his always-made-fun-of ability to talk to fish.  The final shot makes you stare in almost awe at such a simple thing.  This is of course supported by composer Rupert Gregson-Williams, of WONDER WOMAN, HACKSAW RIDGE, and THE CROWN.  With his ability to weave an oratory tale in harmony with the visual feast and having a familiar DC sound (thanks to his contribution to WONDER WOMAN), the package comes giftwrapped as a DC set.   

To also point out another reason to venture to the local theater, James Wan incorporates an innovative action sequence process with camera shots that engages you on the level of the BOURNE series… but different.  You get the chaos of combat while still not losing sight of what is happen, like the mid-twirling and eye-crossing scenes in TRANSFOMERS.  And again, DC has the best villains.  Black Manta, played by Yahya Abdul-Mateen II, portrays a character with depth and personality.  Seeing him with his father (Michael Beach) solidifies their sub-plot.

Take the leap off the proverbial cliff, it will be worth it.  If nothing else, you get to see plenty of Jason Momoa and Amber Heard.  Male or female, or even a rabbit, you will find the viewing ‘pretty’.

Grade: A